John Constable
Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’

Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’

Public Domain

Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’
ArtistBritish, 1776–1837
CultureBritish
Titles
  • Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’
Date1833–1835
MediumGraphite and watercolor on wove paper
DimensionsSheet (approximate): 4 7/8 × 7 1/2 in. (12.4 × 19 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in honor of Kate Sayen Kirkland, and in memory of June Milton Stobaugh
Object number2022.81
Non exposé

Explore Further

ProvenanceThe artist, 1833/35, commissioned by John Martin (1791–1855); John Edward Martin (1822–1893), son of the above; by descent, until 2021; [Lowell Libson & Jonny Yarker Ltd.], 2021–2022; purchased by the MFAH, 2022.
Exhibition HistoryN/A
Inscriptions, Signatures and Marks
(‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’)
Verso: Signed, dated, and inscribed in ink: John Constable, Nov 6 1833/For Mr Martin”

None visible
Catalogue raisonnéReynolds (however this watercolor was not known to Reynolds)

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Illustration to Stanza XI of Grey’s Elegy, ‘Can storied urn or animated bust/ Back to its mansion call the fleeting breath?'
John Constable
1833–1835
Graphite and watercolor with scratching out on wove paper
2022.83
Four works by John Constable
John Constable
1833–1835
2022.81-.83: Graphite and watercolor on wove paper 2022.84: Pen and ink on wove paper
2022.81-.84
The Tomb of James Gubbins, Epsom Churchyard
John Constable
1816
Graphite on wove paper
2022.59
Coal Brigs and Fishing Vessels on the Beach at Hove
John Constable
1824
Graphite on wove paper
2015.551
Women III
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1339
Morning light (early)
Ólafur Elíasson
2018
Watercolor and graphite on wove paper
2019.67
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Image provided by curatorial.
Thomas Jones
c. 1780
Graphite and watercolor on laid paper
2024.288
Women IV
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1340
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729
Women IX
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1345