Ludolph Busing
Aeneas saving his father Anchises from Troy

ArtistGerman, 1599/1602–1669
CultureGerman
Titles
  • Aeneas saving his father Anchises from Troy
Datec. 1628–30
MediumChiaroscuro woodcut from one line block, printed in black ink and one tone block printed in brown ink on laid paper
DimensionsSheet: 13 11/16 × 8 9/16 in. (34.8 × 21.8 cm)
Credit LineMuseum purchase funded by Leslie and Jack Blanton, Jr., in honor of Dr. Dena M. Woodall
Object number2022.104
Non exposé

Explore Further

Object Type
Provenance[Galerie Paul Prouté, Paris]; [Susan Schulman Fine Art, Inc., New York] as of 2021-2022; purchased by MFAH, 2022
Exhibition HistoryAccording to Frits Lugt’s Collectors’ Marks on Prints and Drawings, the Paul Prouté stamp on the verso of this print indicates that it was, at one time, lent to an exhibition, most likely at the Paul Prouté gallery in Paris.
Inscriptions, Signatures and Marks
Verso: Inscribed in ink, top left corner: +4
Verso: Stamped in ink, right bottom edge: Collection Paul Prouté
Verso: Inscribed in graphite, right bottom edge: K[?]

None known
Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Abendland
Christiane Baumgartner
2019
Woodcut in colors from one block in red and dark purple inks and hand-printed twice on Japanese paper, edition 12/12 (varied)
2019.632
Phoenix
Christiane Baumgartner
2018
Woodcut in colors from one block, inked à la poupée in blue, red, pink and orange inks and hand-printed multiple times on Korean Mulberry paper, edition 4/6 (varied)
2018.236
Overall recto
Comte de Caylus
1729–1742
Chiaroscuro woodcut printed in blue and green on line etching with engraved inscription printed in black ink on laid paper
2022.268
The Triumphal Carts
Andrea Andreani
c. 1593–1599
Chiaroscuro woodcut in light, medium and dark greenish gray, and black inks from four blocks on cream laid paper, state I/I
2013.683
Saint Jerome
Bartolomeo Coriolano
1637
Chiaroscuro woodcut from three blocks on laid paper, state I/II
85.440
Overall recto, closed.
Tom Hück
2018–2022
Woodcut, printed recto and verso on four sheets of Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with printed stickers; edition 19/30
2023.219.A-.C
Tête de Flore (Head of Flora)
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
Untitled (Men's Suits)
Charles LeDray
2009
Laundry cart contents: purple satin bag; clear, white, and black hangers made from alumilite clear cast resin and galvanized steel wire; six pairs of trousers, one shirt, and two neckties made from various fabrics. Laundry bag with nylon cord, alumilite toggles, fabric, and thread, stuffed with fabric. Palette: wood, nails, glue, wood stain, dirt. Cart: wood frame with woven aluminum strips, 1/8-inch ungalvanized steel rod, clear acrylic spray coating, canvas, thread, vinyl, aluminum rivets, dirt, and newspaper ink. Broom: wood handle and housing with bristles. Floor: linoleum backed with canvas.
2010.221
Panel from "Les Rives du Bosphore"
Dufour et Leroy
1828
Block-printed paper
B.70.10.2
Panel from "Les Rives du Bosphore"
Dufour et Leroy
1828
Block-printed paper
B.70.10.3
scan from file photograph
Dufour et Leroy
1828
Block-printed paper
B.70.10.1
Les Robes d'Après-midi, Plate V
Jean Patou
1915–1916
Block printed and hand printed plate tipped onto magazine page
87.35