Chemin de fer du Nord – Ligne de Paris à Boulogne – Vues photographiques
- Chemin de fer du Nord – Ligne de Paris à Boulogne – Vues photographiques
Mount (each): 15 7/16 × 19 7/16 in. (39.2 × 49.4 cm)
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Baron James de Rothschild, Europe’s leading banker and industrialist and owner of the Northern Railroad, commissioned 25 copies of this album as gifts for the railroad’s board of directors. Reprising a lavish album of photographs by Édouard Baldus presented to Queen Victoria during her state visit in 1855, this version celebrated a shortened route on the line destined to be an essential economic link between Britain and France. The album’s mix of stations, tracks, bridges, and viaducts alongside historic monuments in the towns along its route shows two radically modern technologies—photography and the railroad—still in their early days.
ProvenanceBaron James de Rothschild (1792-1868); Philippe Rodolphe Hottinguer (1806-1878); [...]; [Rémy le Fur et Associés, Paris]; [Serge Kakou, Paris]; purchased by MFAH, 2021.
Exhibition HistoryThis specific copy of the album has not been exhibited to my knowledge. Exhibition history of other copies will be researched and added to the catalogue record.
Published References Ernest Lacan, "Album offert à S. M. la Reine Victoria." La Lumière, 1 Sept. 1855, p. 134. Malcolm Daniel, “Edouard Baldus, les albums du Chemin de fer du Nord,” La Recherche Photographique 8 (Feb. 1990), pp. 82–89. Malcolm Daniel, "The Photographic Railway Albums of Edouard Baldus." Ph.D. diss., Princeton University, 1991. Malcolm Daniel, “Édouard-Denis Baldus and the Chemin de Fer du Nord Albums.” Image 35, nos. 3–4 (Fall–Winter 1992), pp. 2–37. Malcolm Daniel, "The Photographs of Édouard Baldus," Exhib. cat. (New York: Metropolitan Museum of Art, 1994). Sylvie Aubenas, ed., "Des photographes pour l'empereur. Les albums de Napoléon III," Exhib. cat. (Paris: Bibliothèque Nationale de France, 2004). Simon Kelly and April M. Watson, "Impressionist France: Visions of Nation from Le Gray to Monet," Exhib. cat. (St. Louis Art Museum; Nelson-Atkins Museum of Art, 2013), pp. 212-219. Inscriptions, Signatures and Marks
Cataloguing data may change with further research.
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