William Roxburgh
Company School Painting of Overria longifolia

Company School Painting of Overria longifolia

Public Domain

Company School Painting of Overria longifolia
CommissionerBritish, 1751–1815
CultureIndian
Titles
  • Company School Painting of Overria longifolia
Datec. 1812–1814
Made inKolkata, India
MediumGraphite, ink, and watercolor on wove paper
DimensionsImage: 6 15/16 × 5 1/8 in. (17.7 × 13 cm)
 Sheet: 9 5/16 × 6 11/16 in. (23.6 × 17 cm)
Credit LineGift of Edward and Kendall Ondarza
Object number2021.520
Non exposé

Explore Further

Department
Asian Art
Object Type
ProvenanceAcquired by the Massachusetts Horticultural Society, 1893 [1]; [Christie’s, New York, December 17, 2002 (complete 3 volumes)]; [Arader and Co., New York, 2002–2019]; Edward and Kendall Ondarza, Houston, 2019–2021; given to MFAH, 2021.

[1] The Botanical Studies are probably after William Roxburgh (1751-1815), considered the father of Indian botany.
Inscriptions, Signatures and Marks
Recto: Inscribed in ink, top right corner: 259
Recto: Inscribed in graphite, top right corner: [illegible]
Recto: Inscribed in graphite, bottom left: Overria longifolia [cursive]
Verso: [none]
[none]
Recto: Stamped at lower right in blue ink: M. / H. / S. [encircled]: Massachusetts Horticultural Society

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Company School Painting of Marus mauritiana
William Roxburgh
Company School Painting of Marus mauritiana
c. 1812–1814
Graphite, ink, and watercolor on wove paper
2021.524
Company School Painting of Cappa trifoliata
William Roxburgh
Company School Painting of Cappa trifoliata
c. 1812–1814
Graphite, ink, and watercolor on wove paper
2021.529
Image non disponible pour Group of 15 Botanical Studies and 17 Company School Paintings
Group of 15 Botanical Studies and 17 Company School Paintings
1815–c. 1820
Graphite, ink, and watercolor on laid paper
2021.503-2021.534
Landscape at Sunset [recto]; Study of a Pig [verso]
James Ward
Landscape at Sunset [recto]; Study of a Pig [verso]
c. 1820
Watercolor on two sheets of wove paper, mounted to thick wove paper
2024.17
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729
Pont Cyslltau, Denbighshire [recto]; Mountainous landscape [verso]
Thomas Tudor
Pont Cyslltau, Denbighshire [recto]; Mountainous landscape [verso]
19th century
Black chalk and watercolor on wove paper (recto); black chalk on wove paper (verso)
2024.278.A,.B
Untitled [Table-like Form, Egg-like Form]
Kenji Nakahashi
Untitled [Table-like Form, Egg-like Form]
c. 1980
Colored pencil, graphite, and ink on wove paper
2019.142
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
Stage Design for Balanchine's "Liebesträume"
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Untitled
William Baziotes
Untitled
c. 1944
Ink and watercolor with selectively applied gum glaze on wove paper
97.22
Cavern (Thor’s Cave, Staffordshire)
William Day
Cavern (Thor’s Cave, Staffordshire)
c. 1789
Watercolor and ink over graphite on laid paper, mounted on wove paper
2024.14
Looking Towards Inveraray Castle, Loch Fyne, Argyll
William Callow
Looking Towards Inveraray Castle, Loch Fyne, Argyll
September 27, 1849
Watercolor over graphite on cream wove paper
2023.501