Jan van Goyen
A village with windmills seen from a distance

A village with windmills seen from a distance

Public Domain

A village with windmills seen from a distance
Photograph © The Museum of Fine Arts, Houston; Tina C. Tan, photographer
ArtistDutch, 1596–1656
CultureDutch
Titles
  • A village with windmills seen from a distance
Date1650–1651
MediumBlack chalk with brush and grey wash on laid paper
DimensionsImage: 3 3/4 × 5 15/16 in. (9.6 × 15.1 cm)
Sheet: 3 7/8 × 6 1/4 in. (9.9 × 15.8 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2021.298
Non exposé

Explore Further

ProvenanceSketchbook, 1650-1651 (partial watermark of the arms of Lorraine and the overall dimensions of the sketchbook were 105 x 160 mm.)

Provenance of bound sketchbook:
The Artist, 1650-1651; Possibly Andrew Geddes (1738-1844), London, 1845; his sale, London, Christie’s, 8-14 April 1845, lot 361; private collection, England, 1879; Johnson Neale, London, by 1895; Thomas Mark Hovell (1853-1925), London, June 1918, Thomas Dinwiddy; his sale, London, Sotheby’s, 3 July 1918, lot 124 [sold for 610 GBP]; [London, P. and D. Colnaghi & Obach (stock no. A1700)]; [Frederick Muller & Cie, Amsterdam, 15 August 1918 [sold for 800 GBP]; Anton Messing (1866-1936), Amsterdam; his sale, Frederik Muller & Co., Amsterdam, 27 April 1937, lot 218 [sold for 7,200 florins to Hirschmann]; [Most likely Dr. Otto Heinrich Hirschmann (1898-1962), a branch manager at art dealership Van Biemen & Co. and independent art dealer from 1934 onwards]Adolf Mayer, the Hague, New York; [Van Diemen-Lilienfeld Galleries, New York, 1957]…

The artist, 1650-1651 (from the artist’s sketchbook); [see above]; unbound- Curtis O. Baer, New Rochelle, 1964; [London, Christie’s, private sale, 2014]; private collection, New York, before 2020; [Mireille Mosler, Ltd., New York, 2020]; purchased by MFAH, 2021.
Exhibition HistoryThe Hague, Mauritshuis, exh. 1895.
The Hague, Mauritshuis, exh. 1918
Inscriptions, Signatures and Marks
Recto: inscribed in brown ink, top right: 140
Verso: inscribed in black ink, top left: T... [Illegible]
Verso: Collector's mark in black ink, bottom right: B [Lugt L.3366 Baer, Curtis Otto]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Kleve: the tower and city wall with ruins of the Cowdeer tower
Jan van Goyen
1650–1651
Black chalk with brush and grey wash on laid paper
2021.297
Study of a Vase of Flowers
Jan van Huysum
early to mid 1700s
Black chalk and brush and ink with gray wash on laid paper
2019.17
Le Grand Escalier (The Large Staircase)
Hubert Robert
1761–1765
Pen and black ink, brush and gray wash and watercolor with traces of black chalk on laid paper with watermark
44.545
The Fall of Phaeton
Giovanni Battista Foggini
c. 1710–24
Pen and brown ink, brush and brown wash over black chalk, and heightened with white on laid paper
2020.479
Design for the ceiling decoration of the Royal Chapel, Windsor Castle (recto)
Benjamin West
c. 1779
Black chalk, pen and brown ink and watercolor, heightened with touches of white, grey and blue bodycolor and brown wash, on oatmeal paper
2007.1461.A,.B
The Triumph of Bacchus
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Sketchbook
George Romney
September 1783
Book with pen and sepia ink, brush and sepia wash, black chalk and graphite on laid paper
78.187
The Launch of a Single-Deck Warship with a Royal Yacht in Attendance
Willem van de Velde II
late 17th–early 18th century
Black chalk and gray wash on laid paper
2011.1003
Villa Borghesi (The Villa Borghese, Rome)
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
Compositional Study for Le Combat des Section d’Infanterie
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Monte Della Giustizia, Villa Montalto - Negroni, Rome
Richard Wilson
c. 1752
Black chalk, heightened with white chalk, white gouache, and gray wash on blue-gray laid paper
2021.290
Studies of Male Nudes and a Pair of Putti from the Sistine Chapel Ceiling, after Michelangelo
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480