Joseph Mallord William Turner
A Distant View of Chambery from the North, with Storm Clouds

CultureBritish
Titles
  • A Distant View of Chambery from the North, with Storm Clouds
Date1836
MediumWatercolor on wove paper, squared
DimensionsImage/sheet: 9 3/4 × 10 3/4 in. (24.8 × 27.3 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in honor of the past presidents and members of the Houston Art League, the Museum’s founding organization
Object number2020.404
Non exposé

Explore Further

Special Collections
ProvenanceThe artist, 1836; probably art market, Europe, later 1850s; John Edward Taylor (1830–1905);, his sale, Christie’s, London, Catalogue of the highly important collection of drawings by J.M.W. Turner, works by old masters and modern pictures & drawings, formed by the late John Edward Taylor July 8, 1912, lot 107 (as A Mountainous Landscape: A town seen in a valley, in the middle distance. 9 ¾ by 10 ¾ in.);
purchased by Horace Gibbs, 1912 (for £1155 / 1100 guineas); purchased by or through Horace Gibbs for Mrs. Willard Straight (née Dorothy Payne Whitney, later Mrs Leonard K. Elmhirst), 1912–42; possibly transferred to the Westbury Holding Company for sale, 1942; [Kende Galleries at Gimbel Bros., New York, Valuable Paintings-Important Silver-Rugs-Furniture-Chinese Art-Property of The Westbury Holding Corporation collected by Mrs. Leonard K. Elmhirst (Mrs. Willard D. Straight)-The Former Miss Dorothy Payne Whitney, May 28, 1942, lot 190]; [Vose Galleries, Boston, MA]; Mrs. Robert Choate, Danvers, MA (1900-1987), by 1946-1983; [Leger Galleries, London, 983-1984]; [London, Christie’s, London, Important English Drawings and Watercolours, July 10, 1984, lot 238 (under “The Property of a Lady,” as View over an Alpine Valley, probably Val d’Aosta, c. 1836)]; private collection, acquired from the above, 1984; by descent, 2018; [London, Libson Yarker Ltd, 2019-2020]; purchased by the MFAH, 2020.



Inscriptions, Signatures and Marks
None noted.
No watermark visible. Other watercolors from this 1836 trip have the watermark: B,E / 182
Catalogue raisonnésee above
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Bridgnorth on the River Severn (Shropshire)
Joseph Mallord William Turner
1798
Watercolor over graphite with scratching out on wove paper
2019.287
View of a Seaport: East Cowes, Isle of Wight
Joseph Mallord William Turner
1828
Ink, ink wash, and white chalk on blue paper
2002.455
Margate
Joseph Mallord William Turner
c. 1835–1840
Watercolor over soft lead pencil
BF.1986.20
Figures on the beach at Clovelly, north Devon
William Turner of Oxford
1820s
Watercolor over graphite with gouache and scratching on wove paper, mounted on board
2016.1
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Deposition
Denys Calvaert
c. 1595
Black chalk, pen and brown ink, watercolor, and white heightening, squared for transfer with black chalk on laid paper
2013.173
Winterglow
Arthur Turner
2001
Watercolor and ink on wove paper
2006.624
The Triumph of Bacchus
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Landscape
Paul Bril
late 16th or early 17th century
Pen and ink, with wash, on buff laid paper, squared for transfer
2022.744
Drawing for "Just"
Alan Turner
1992
Watercolor and ink on paper
2003.986
Roundel Series #1: Silence
Arthur Turner
2008
Watercolor and ink on paper
2009.424
Dark Window
Arthur Turner
2001
Watercolor and ink on paper
2001.413