Robert Motherwell
Pauillac, #4

CultureAmerican

Titles

Pauillac, #4
from the series Summer Light

Date1973

MediumLithograph in blue on wove paper with collage of offset photolithograph in colors, torn-and-pasted color wove paper, and embossing, edition 8/54

DimensionsSheet: 36 × 18 in. (91.4 × 45.7 cm)
Frame: 39 5/8 × 22 5/8 × 1 5/16 in. (100.6 × 57.5 × 3.3 cm)

Credit LineBequest of William Woodford

Object number2020.290

Non exposé

Explore Further

Department

Prints and Drawings

Object Type

PRINTS

ProvenanceThe artist and Gemini G.E.L., 1973; Collection of William Woodford (1939-2020), [1] by 2020; Estate of William Woodford, 2020; given to MFAH, 2020.

[1] William Woodford (1939–2020) graduated with a Bachelor of Arts in 1961 from U.T. where he was president of his fraternity Pi Kappa Alpha. He received his law degree from U.T. in 1964, having served as Associate Editor for the Texas Law Review (1963-1964) and being named a Chancellor as well as becoming a member of Phi Delta Phi. After clerking for the Hon. Joseph C. Hutcheson, Jr. for the Court of Appeals, Fifth Circuit, he joined the law firm Baker Botts in 1965 where he spent the entirety of his career, becoming a partner in 1972. A long-time member of this museum, Woodford channeled his love of the arts through his discriminating collecting and became an avid photographer, taking and developing his own prints with a particular focus on the Houston Ballet. His generous bequest also included a painting by Dorothy Hood and a number of important works to the Prints and Drawings department.

Exhibition HistoryLaguna Gloria Art Museum, Austin, Tex., Robert Motherwell: Paintings, Collages, and Prints, September 19—October 19, 1975
Inscriptions, Signatures and Marks

Recto: Signed and inscribed in graphite, lower right, below image: Motherwell 8/54
Verso: Unknown at present.
Back label: Label printed in ink and black pen, lower center: Laguna Gloria Art Museum label with tombstone information
Back label: Label printed in ink on gold, lower center (below above): Glen Rumsey & Co. framing label

Signed and editioned in graphite, below image right: Motherwell 8/54

Watermark: None known at present.

Recto: Chopmark, below matrix, bottom right corner : Gemini G.E.L. chopmark (See Fig. 6)
Recto: Chopmark, below matrix, bottom right corner : Robert Motherwell chopmark (See Fig. 6)

Catalogue raisonnéGemini 475; Belknap 122; Banach and Engberg 151

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Découvrir plus

Robert Motherwell

Perpetual Summer

1985

Aquatint and etching on wove paper with collage of torn-and-pasted aquatint and black Kozo paper, hors commerce proof, aside the edition of 26 + 7 artist’s proofs

2020.289

Image non disponible

Robert Motherwell

America-La France (Variation IX)

1983

Collage of torn lithograph in colors on wove paper

2018.390

Delita Pinchback Martin

Sachi

2020

Reduction linoleum cut in colors on wove paper, cut-and-glued metallic paint on wove paper, cut-and-pasted block print on Japanese paper, cut-and-glued linoleum cut and embossing on wove paper; and cotton thread, edition 1/7

2021.291

Jim Hodges

Bringing in the Ghosts

2019

Cut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28

2020.163

Anne Ryan

Untitled (#575)

c. 1948–1954

Collage of gouache on torn-and-pasted wove paper, torn-and-pasted colored wove paper and sand paper, cut and pasted Japanese paper, and thread on wove paper

79.48

Dee Wolff

Illuminations #11

1980

Gouache and acrylic, with acrylic and color pencil on cut and pasted wove paper, and watercolor and acrylic on torn and pasted wove paper, on wove paper

85.14.A-.C

Dorothy Hood

Afternoon Tea

Collage of cut and pasted color halftone print, acrylic on torn and pasted halftone print, and leaf, on acrylic on wove paper

2020.287

Dorothy Hood

Near the Bay

1982

Collage of charcoal, watercolor, and graphite on cut and pasted wove paper, torn and pasted kraft paper, metal foil, and cut and pasted wood engraving on wove paper, on four ply mat board

83.19

Dorothy Hood

The Window of Formality

c. 1982–1997

Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper

2020.286