Battlefields, Untitled, Fredericksburg (Cedar Trees)
- Battlefields, Untitled, Fredericksburg (Cedar Trees)
Sheet: 38 × 47 15/16 in. (96.5 × 121.8 cm)
Explore Further
As a lifelong resident of Lexington, Virginia, the burial place of
Stonewall Jackson and Robert E. Lee, Sally Mann sought to reckon with the carnage
of the Civil War. Photographing the “death-hallowed ground” of battlefields in
the early 2000s using equipment and processes reminiscent of the nineteenth
century, she made apocalyptic images that suggest the final view of those who
perished there. As if to bring the “deposit of fallen bodies, hopes, loves,
joys, and fears” to the surface of her Battlefields
pictures, Mann coated her prints with a varnish incorporating diatomaceous
earth—the fossilized remains of tiny marine creatures.
Provenance[Gagosian Gallery, New York]; purchased by MFAH, 2019.
Published References Greenough, Sarah, Sarah Kennel, Hilton Als, Malcolm R Daniel, Drew Gilpin Faust, Sally Mann, National Gallery of Art (U.S.), Peabody Essex Museum, J. Paul Getty Museum, Museum of Fine Arts, Houston, Musée Du Jeu De Paume (France), High Museum of Art, and Abrams (Publishing Company). Sally Mann : A Thousand Crossings. Washington, District of Columbia: National Gallery of Art, 2018: plate 37.
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
