Sofa

CultureAmerican
Titles
  • Sofa
Datec. 1750–1800
Made inMassachusetts, United States
MediumMahogany; mahogany, white oak, red oak, and spruce
Dimensions34 5/8 × 54 1/8 × 26 1/2 in. (87.9 × 137.5 × 67.3 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.142
Current Location
Bayou Bend Collection and Gardens
Chippendale Bedroom
Exposé

Explore Further

Department
Bayou Bend
Object Type
Description

The term sofa, as well as the form itself, is of Arabic origin, introduced to England and America early in the eighteenth century. One contemporary source described it as “A sort of Alcove much used in Asia, it is An apartment of State, raised about two Foot higher than the Floor, and furnished with rich Carpets and Cushions, where honorable Personages are entertained.” The Bayou Bend sofa is a diminutive version of the standard serpentine-back form. Its seat and arms are unusually high and the curve to the back less pronounced than seen in most fully developed examples. The shaped terminals on its rear legs, a feature common in English furniture, is often associated with New York seating furniture; however, the raked back claws and secondary woods proffer a Massachusetts origin.

Technical notes: Mahogany; mahogany (corner braces), white oak (front seat rail), red oak (side and rear seat rails), spruce (left side back rail, medial back brace, and crest rail). The center rear leg is a replacement.

Related examples: Antiques 74 (July 1958), p. 4.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceMrs. John H. Harwood, Brookline, Massachusetts, by 1945; [Israel Sack, New York, 1950]; purchased by Miss Ima Hogg, 1950; given to MFAH, 1969.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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Sofa
c. 1750–1801
Mahogany; red oak, yellow-poplar, southern yellow pine, white oak, and eastern white pine
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Commode
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Walnut veneer; marquetry of tulipwood, elm, rosewood, and calamander; secondary woods: mahogany, red pine group, spruce, white oak group; and ormolu
96.1238
Desk and Bookcase
c. 1760–1790
Mahogany; eastern white pine, soft maple, chestnut, red cedar, poplar-aspen or cottonwood, white oak, and Spanish cedar or cedrela
B.69.22
Card Table
Marinus Willet and Jonathan Pearsee
c. 1763–1775
Mahogany; eastern white pine, red gum, and white oak
B.69.24
Armchair
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.1
Image of B.60.37.2, representative of set
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.2
Image of B.60.37.2, representative of set
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.3
Image of B.60.37.2, representative of set
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.4
Armchair
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.5
Easy Chair
c. 1785–1820
Mahogany and unidentified inlay; ash, eastern white pine, yellow-poplar, and red oak
B.60.93
Roundabout Chair
c. 1750–1800
Mahogany; sweetgum, eastern white pine, and red oak
B.58.107
Image of B.60.37.2, representative of set
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.6