John White Abbott
On Windermere Near Low Wood—Evening Light

CultureBritish
Titles
  • On Windermere Near Low Wood—Evening Light
DateJuly 16, 1791
Place depictedUnited Kingdom
MediumPen and ink and watercolor over graphite on off-white wove paper, and mount with hand drawn wash-line border, attached to backboard
DimensionsSheet: 7 3/8 × 9 3/8 in. (18.8 × 23.8 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in memory of Barbara Ivy Jogerst
Object number2019.192
Non exposé

Explore Further

Special Collections
ProvenanceThe artist, 1791; possibly Mark Grant-Sturgis, K.C.B. (1884–1949), until 1938; [possibly Walker’s Gallery, London,1938]; [Thomas Agnew & Sons, London, inv. no. 14336], possibly early 1980s; James Francis Flannery (1929–2005) and Audrey Flannery, St. John’s Wood, London, possibly the late 1970s and 2005; by descent, until 2018; [Karen Taylor Fine Art, 2018–2019]; purchased by MFAH, 2019.
Exhibition HistoryPossibly An Exhibition of Water-Colour Drawings from the Collection of Sir Mark Grant-Sturgis K.C.B. and a Few Other Sources by John White Abbott (1763-1851), Walker's Galleries, London, 1938 (exh. cat.).

British Watercolours, Drawings and Oil Sketches, Karen Taylor Fine Art, London, 2019 (exh. cat., 30, cat. 11. 31. illus.).
Inscriptions, Signatures and Marks
Verso: Inscribed, initialed, and dated in pen and ink, upper right of backboard, on mount: On Winandermere [sic] near Lowwood. / JWA. July 16.1791.
Verso: Inscribed in ink, center: Near Low wood July 16 / Evening light on the […?] from the Right [missing word may be “birches”]
Verso: Inscribed in graphite, in a different hand, lower center: same as above
Recto: [none]
Verso: signed in ink, upper center of backboard, on mount: JWA. [cursive]
Recto: Label in printed ink, bottom center: Thos. Agnew & Sons. Ltd.. / No. 14336 / Fine Art Publishers to H.M. King George V / London, / 43, Old Bond Street, / Piccadilly, W.
Catalogue raisonnénone
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Langdale Pikes from Windermere
John White Abbott
July 11, 1791
Watercolor and pen and ink with graphite on wove paper on artist’s wove paper mount with wash-line border
2018.234
Port Isaac, Cornwall
Thomas Rowlandson
c. 1790
Watercolor and pen and ink over graphite on wove paper, laid down on artist's wash-line mount
2018.233
London and the Thames from Greenwich
John Robert Cozens
c. 1792
Watercolor over graphite on laid paper, laid down on artist's wash-line mount
2016.345
A Waterfall at Cynwyd, near Corwen, North Wales
Edward Dayes
c. mid-1790s
Gray and blue wash over graphite on wove paper, laid down on artist's wash-line mount
2021.551
Sintflut (The Flood)
Hermann Wöhler
c. 1925-1929
Pen and black ink, with a border drawn in pen and black ink, on thick, textured wove paper
2021.299
Rochester Castle from the River Medway
Thomas Girtin
1791/1792
Watercolor and graphite on laid paper, laid down on artist's wash-line mount
2016.344
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Villa Borghesi (The Villa Borghese, Rome)
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
Marjamshausen
Paul Klee
1928
Watercolor and gouache over graphite on wove paper, on artist's paper board mount with pen and ink
39.111
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Design for the Rouen Cathedral Tower
Roulland le Roux
1516
Pen and ink, gray wash, stylus and compass marks, with traces of metalpoint on parchment attached to a later wooden spool
2018.123
Figure
Victor Brauner
1948
Pen and ink on off-white wove paper
2022.301