Seth Eastman
Red Jacket, Chief of the Senecas

ArtistAmerican, born Scotland, 1808–1875
CultureAmerican
Titles
  • Red Jacket, Chief of the Senecas
Date1852
PlaceWashington, District of Columbia, United States
MediumWatercolor and ink over graphite, with scratching out, on wove paper
DimensionsSheet: 12 7/8 × 9 3/4 in. (32.7 × 24.8 cm)

Credit LineThe Bayou Bend Collection, museum purchase funded by Kane C. Weiner, David Pustka, Gary Brock, Larry Davis, Wiley George, Bill Pugh, Michael Stewart, James B. Tennant, Bill Thomas, and John Aubrey in honor of Lenoir M. Josey at "One Great Night in November, 2018"
Object numberB.2018.61
Non exposé

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Department
Bayou Bend
Description

This monochromatic watercolor depicts the noted Seneca chief and orator Red Jacket (original name Otetiani, also called Sagoyewatha, c. 1750–1830), as a mature individual, seated on a rocky outcropping beneath a tree. He cradles a long-stemmed pipe in the elbow of his left arm; a tomahawk rests on the ground to his left. He wears a striped tunic with fringes at the edges of its cape and at its hem, leggings, and moccasins. Hanging from a ribbon at his neck is a large “peace medallion” depicting two figures.

Eastman created this portrait of Red Jacket basing his image primarily on a painting by Charles Bird King, a lithographed version of which Eastman sent to his engraver for reference. King’s portrait (one of three) had been commissioned by Thomas L. McKenney, Superintendent of Indian Affairs, and was probably painted in 1827. A version of this portrait accompanied Red Jacket’s biography in McKenney and Hall’s History of the Indian Tribes of North America. Eastman’s full-length version required depiction of a complete costume, and it is clear that he took liberties, combining elements from disparate native groups. The present portrait by Eastman appeared in Henry Rowe Schoolcraft’s extensive study Historical and Statistical Information Respecting the History, Condition, and Prospects of the Indian Tribes of the United States. Commissioned by an act of the United States Congress in 1847, it was published under the direction of the Bureau of Indian Affairs in six volumes from 1851 to 1857.


ProvenanceJames J. Hill (1838–1916), St. Paul, Minnesota; W. Duncan MacMillan (1930–2006), Minneapolis, Minnesota; [...]; purchased by [Arader Galleries, New York]; purchased by MFAH, 2018.
Inscriptions, Signatures and Marks
Recto: Inscribed in ink, below image, left: S. Eastman U.S. Army Delt

Recto: Inscribed in ink, below image, center: RED JACKET / Chief of the Senecas

Recto: Inscribed in graphite, above image: The engraver will please engrave this in the best style of engraving / Engrave the head and hands in line in place of stipple - / and above all the likeness must be preserved - / Burt [?] [possibly referring to Charles Kennedy Burt, who made an engraving after the watercolor for inclusion in Historical and Statistical Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States]

Recto: Inscribed in ink and graphite, above image, right: Pl. 25

Recto: Inscribed in graphite, above image, right: 3 Vol [?]

Recto: Inscribed in graphite, right margin: 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 [vertical, reading from top to bottom]

Recto: Inscribed in graphite, bottom margin: 1 2 3 4 5 6 7 8 9 10 11
Verso: Stamp in black ink, bottom left: MnSJ

Recto [Mount]: Stamp in black ink, bottom left: JAMES JEROME REFERENCE LIBRARY / FOURTH AND MARKET STREET / SAINT PAUL, MINNISOTA U.S.A. 55102

Cataloguing data may change with further research.

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