Jacob Hurd
Cream Pot (Creamer)

MakerAmerican, 1702–1758
CultureAmerican
Titles
  • Cream Pot (Creamer)
Datec. 1745–c. 1755
Made inBoston, Massachusetts, United States
MediumSilver
Dimensions4 1/16 × 2 1/2 × 3 1/2 in. (10.3 × 6.4 × 8.9 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.112
Current Location
Bayou Bend Collection and Gardens
Metals Study Room
Exposé

Explore Further

Department
Bayou Bend
Object Type
Description

The Western custom of serving cream with tea became customary by the beginning of the eighteenth century, although the earliest American silver cream pots date from the second quarter of the century. Patterned after the can, they were composed of a pear-shaped body; molded foot; small, triangular spout; cast, scrolled handle; and, at times, a hinged, domed lid. The Bayou Bend example, with its cabriole legs and outward flaring spout, represents the subsequent phase in the vessel's evolution. Hurd’s chased and engraved cream pots are unique in American silver. Their ornament was possibly inspired by contemporary Irish silver, but a more plausible interpretation is that it evolved in response to the deteriorating relations between France, England, and her American colonies at mid-century.

Technical notes: The body is raised, and the feet and handle cast. The spout is soldered on rather than integral with the raised body, a construction technique characteristic of early Boston cream pots.

Related examples:  Buhler and Hood 1970, vol. 1, pp. 127–29, nos. 149, 150; Johnston 1994, p. 80.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff.  American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceWilliam Cory (1711–c. 1771) and Mary Aiken Cory, Providence, Rhode Island; given to their daughter Rebecca (Mrs. Nicholas Power, V, 1746–1825); given to her son Nicholas Power, VI (1771–1844); given to his daughter Sarah (Mrs. John Winslow Whitman, 1803–1878); given to her friend Ellen Richmond Parsons; given to Mary Boykin Williams (Mrs. Thomas B. Hamson), a great-great-granddaughter of Rebecca Power; given to her son Harry C. Thompson; [Israel Sack, New York]; purchased by Miss Ima Hogg, 1955; given to MFAH, 1969.
Exhibition History"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, July 7, 2012–January 2, 2013.
Inscriptions, Signatures and Marks
Engraved underneath body: WC[C superscript]M; Cory
Engraved below rim: Power, with the crest of a goat's head, an arrow piercing its neck
Left of handle: mark of Jacob Hurd [Buhler and Hood 1970, vol. I, p. 327, nos. 148–58, 160]

Cataloguing data may change with further research.

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Cann
Jacob Hurd
c. 1724–1740
Silver
B.69.99
Cann
Jacob Hurd
c. 1724–1740
Silver
B.61.18
Coffeepot
Nathaniel Hurd
c. 1751–1777
Silver
B.69.95
Teaspoon and Spoon
Nathaniel Hurd
1751–1777
Silver
B.83.7.1,.2
Cream Pot (Creamer)
John Bayly
c. 1754–1782
Silver
B.69.100
Cream Pot (Creamer)
William Gilbert
c. 1780–1800
Silver
B.90.8
Cream Pot or Creamer (part of a Tea Set)
Standish Barry
c. 1784–1815
Silver
B.67.5.3.A,.B
Cream Pot (Creamer)
Joseph Loring
c. 1797
Silver
B.69.256.4
Cream Pot (Creamer)
Joseph Loring
c. 1797
Silver
B.69.256.2
Cream Pot (Creamer)
William Will
c. 1764–1798
Pewter
B.2015.10
Cream Pot or Creamer (part of a tea and coffee service)
c. 1765–1780
Lead-glazed earthenware (creamware)
B.56.20.3
Cream Pot (Creamer)
c. 1750–1765
Lead-glazed earthenware (agate ware)
B.60.21