Base metal objects respond slowly to stylistic developments, in part because of the exorbitant investment for the molds needed to cast them. This circumstance may offer a plausible explanation for the lingering Rococo motifs of these architectonic andirons, elements of their ornament simply updated in response to the Neoclassical idiom. In keeping with the new style, engraved or stamped decoration was introduced, much in the same manner as on a piece of silver, in this instance to highlight the plinths and finials. The red brass, commonly referred to as bell metal, along with the cabriole legs’ hollow castings recommend a Boston origin. Their monumental proportions, Neoclassical ornament, and fully articulated log stops distinguish these andirons.

Technical notes: The legs and plinth base are integral. The upright is composed of three vertically seamed components, the plinth, column, and urn, along with the columnar cap. Both uprights and log stops are engraved and stamped.

Related examples: Antiques 55 (May 1949), back cover; Antiques 101 (April 1972), p. 571; Antiques 113 (March 1978), p. 586; Skinner, Bolton, sale 1222, October 29, 1988, lot 49; Fennimore 1996, p. 147, no. 67.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.