François Xavier Habermann
Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)

Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)

Public Domain

Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)
CultureGerman
Titles
  • Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)
  • from Collection des Prospects series
Datec. 1776
Made inAugsburg, Germany
MediumEtching and engraving on laid paper
DimensionsPlate: 12 1/2 × 16 3/4 in. (31.8 × 42.5 cm)
Sheet: 12 1/2 × 16 7/8 in. (31.8 × 42.8 cm)
Credit LineThe Bayou Bend Collection, Museum purchase funded by Don Short in honor of Lee Godfrey at "One Great Night in November, 2013"
Object numberB.2013.39
Non exposé

Explore Further

Department
Bayou Bend
Object Type
Description



This print is by François Habermann, a German printer and publisher working in Augsburg, Germany, known for a series of engravings portraying American cities, including New York and Boston, during the Revolutionary period. While some of these optical views are based on first-hand drawings, often they are entirely fictitious and originally published for a European audience with no specific knowledge of American cities. Here, the artist presents an imaginary view of Old South Congregational Church, the third church built in Boston, and a cannon is being hauled into the foreground. Unlike the church pictured, Old South had a tall steeple. Notably, the church was often the scene of many patriotic meetings in the years immediately preceding the War of Independence.



This special type of popular print was used as a form of entertainment meant to be seen through devices called “optical machines” or “zogoscopes.” The striking use of perspective lines in these optical views make them visually playful as well as historically intriguing. The main title is printed at top as a mirror image; when viewed through the optical machine it would appear correctly. Optical views were often exhibited by traveling showmen and were known to entice Philadelphians by 1797.





Provenance[Susan Schulman, New York, as of 2012]; purchased by MFAH, 2013.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, above plate, left: Collection des Prospects.
Recto: Inscribed in printed ink, above plate, center: VUË DE BOSTON. [in reverse]
Recto: Inscribed in printed ink, below plate, right: Gravé par Francois Xav. Habermann
Recto: Inscribed in printed ink, below plate, left: Prospect des groſsen Plazes gegen der alten / Sud Kirche der Presbiterianer zu Boston.
Recto: Inscribed in printed ink, below plate, right: Vuë de la Ruë grande vers l'Eglise du / Sud des Presbiteriennes a Boston.
Recto: Inscribed in printed ink, below plate, center bottom edge: Se vend a Augsbourg au Negoce comun de l’Academie d'Empire des Arts Libereaux aveo Privilege de Sa majesté Imperiale et aveo Defense ni d'en faire ni de vendre les Copies.

Cataloguing data may change with further research.

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