Simon Norfolk
Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.

Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.

© Simon Norfolk / Gallery Luisotti

Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.
Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedGereshk (near), Afghanistan
MediumChromogenic print
DimensionsImage: 14 5/16 × 19 1/8 in. (36.4 × 48.6 cm)
 Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.57
Non exposé

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Norfolk prints are signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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Waiting for a helicopter, Camp Bastion, Helmand.
Simon Norfolk
Waiting for a helicopter, Camp Bastion, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.102
Some of the palletized, instant-build accommodation blocks at Camp Leatherneck, Helmand.
Simon Norfolk
Some of the palletized, instant-build accommodation blocks at Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.100
The seemingly endless number of helicopter pads and hangars at Camp Bastion.
Simon Norfolk
The seemingly endless number of helicopter pads and hangars at Camp Bastion.
2010–2011, printed September 2011
Chromogenic print
2016.224.92
Watchtowers on the perimeter of Camp Bastion.
Simon Norfolk
Watchtowers on the perimeter of Camp Bastion.
2010–2011, printed September 2011
Chromogenic print
2016.224.83
A shaded rest area built by helicopter re-fuelling crews at Camp Bastion.
Simon Norfolk
A shaded rest area built by helicopter re-fuelling crews at Camp Bastion.
2010–2011, printed September 2011
Chromogenic print
2016.224.84
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
Simon Norfolk
Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.75
A shelter against rocket and mortar attack, Camp Leatherneck, Helmand.
Simon Norfolk
A shelter against rocket and mortar attack, Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.104
Preparations for a sexy dancing and comedy show organized by the Morale, Welfare and Recreation unit at Camp Leatherneck.
Simon Norfolk
Preparations for a sexy dancing and comedy show organized by the Morale, Welfare and Recreation unit at Camp Leatherneck.
2010–2011, printed September 2011
Chromogenic print
2016.224.103
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
Simon Norfolk
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
2010–2011, printed September 2011
Chromogenic print
2016.224.25
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
Simon Norfolk
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
2010–2011, printed September 2011
Chromogenic print
2016.224.36
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
Simon Norfolk
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
2010–2011, printed September 2011
Chromogenic print
2016.224.7