Simon Norfolk
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.

Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.

© Simon Norfolk / Gallery Luisotti

Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedKabul, Afghanistan
MediumChromogenic print
DimensionsImage: 14 1/2 × 19 1/4 in. (36.8 × 48.9 cm)
Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.7
Non exposé

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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The tennis court of the British Embassy.
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.85
The armoury of the British Embassy. The Embassy has a guard force of five hundred.
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.82
Accommodation units, known as ‘pods’, for lower ranking diplomats of the British Embassy.
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.81
The Political Staff of the British Embassy
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.55
Unfinished, speculative property development near Kabul Airport.
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.30
Jellallabad, the main street shewing covered Bazaar.
John Burke
1879, printed September 2011
Chromogenic print
2016.224.31
Some of the Media Operations team including a Combat Camera unit, Camp Bastion, Helmand.
Simon Norfolk
2010–2011, printed September 2011
Chromogenic print
2016.224.57