Shomei Tomatsu
Protest 1

Protest 1

© Shomei Tomatsu - INTERFACE

Protest 1
Protest 1
ArtistJapanese, 1930–2012
CultureJapanese
Titles
  • Protest 1
  • Oh! Shinjuku
Date1969, printed 1980
PlaceJapan
MediumGelatin silver print
DimensionsImage: 8 3/8 × 12 5/8 in. (21.3 × 32.1 cm)
Sheet: 9 7/8 × 13 7/8 in. (25.1 × 35.2 cm)
Frame (outer) (ANW EXHIBITION FRAME): 16 15/16 × 20 15/16 × 1 1/4 in. (43 × 53.2 × 3.2 cm)
Credit LineMuseum purchase funded by the S. I. Morris Photography Endowment and Morris Weiner
Object number2011.765
Non exposé

Explore Further

Department
Photography
Object Type
DescriptionEarly in his career, Shōmei Tōmatsu seemed to follow in the tradition of documentary photography. However, by 1960 he had begun to challenge that tradition. In responding to a raging critical debate in the pages of Asahi Camera about the use photography as expression rather than documentation, Tōmatsu insisted, “My photographs are absolutely not photojournalism.” For his first major photographic subject, Tōmatsu focused on Tokyo, where he lived and worked. At first, he had been interested mainly in revealing the city in transformation, as a complex, organic, and mutable system of images and signs. In the latter half of the 1960s, he focused on people in the Shinjuku district of downtown Tokyo: the pedestrians, railway passengers, underground theater performers, and strippers. He also photographed student protestors in the massive and violent protests of October 21, 1969, International Antiwar Day. About eighty of these photographs, shot between 1963 and 1969, constitute his 1969 photobook Oh! Shinjuku, which presents Shinjuku as an assemblage of human desires and power struggles. The photograph here portrays the editor and photographer Takuma Nakahira in a boxing exercise.
Provenance[Misa Shin Gallery, Tokyo]; purchased by MFAH, 2011.
Exhibition History“For A New World to Come: Experiments in Japanese Art and Photography, 1968-1979 Japan,” The Museum of Fine Arts, Houston, March 8–July 12, 2015.



Inscriptions, Signatures and Marks
Inscribed in pencil on verso lower edge: 1969 '80 [signature]
Signed verso lower right in pencil: '80 Tom... [underlined]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945
Shomei Tomatsu
1961, printed 1969
Gelatin silver print
2011.243
from Oh! Shinjuku
Shomei Tomatsu
1969, printed 1980
Gelatin silver print
2014.720
from Oh! Shinjuku
Shomei Tomatsu
1969, printed 1980
Gelatin silver print
2014.721
Beer Bottle After the Atomic Bomb Explosion
Shomei Tomatsu
1961, printed later
Gelatin silver print
91.1170
I Protest Everything Including My Existence and Especially Yours
Esther Bubley
c. 1960
Gelatin silver print
92.479
Junienne Briscoe of the Memphis NAACP Protests on Main Street
Ernest C. Withers
1960, printed later
Gelatin silver print
2008.641
Protesta (Protest)
Leopoldo Méndez
1943
Woodcut, edition 35/50
56.26.23