Simon Norfolk
Cmi Vrh, untitled No. 6

cropped recto of sheet

© Simon Norfolk / Gallery Luisotti

Cmi Vrh, untitled No. 6
cropped recto of sheet
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Cmi Vrh, untitled No. 6
  • from the series Bosnia: Bleed
Date2004–2005, printed 2010
MediumChromogenic print
DimensionsImage: 19 3/16 × 24 in. (48.7 × 61 cm)
 Sheet: 23 × 27 7/8 in. (58.4 × 70.8 cm)
Credit LineGift of Philip Greider
Object number2014.898
Non exposé

Explore Further

Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Philip Greider, Los Angeles, 2010; given to MFAH, 2014.
Inscriptions, Signatures and Marks
Inscribed in ink on verso lower right: 15-Sept-10
Stamp and signature on Authentification Certificate in Accession File: simon-norfolk / 444-020-7254-9620 (impressed) / Simon Norfolk (ink)
Stamped UPSIDEDOWN in a rectangle on verso lower right with additional marks in ink: printed under my direct supervision / archival digital c-type print / [signature] / fecit / edition number 2/10

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

cropped recto of sheet
Simon Norfolk
Path leading up to the mass grave at the site at Cmi Vrh
2004–2005, printed September 2010
Chromogenic print
2014.899
LHC, Untitled No. 6
Simon Norfolk
LHC, Untitled No. 6
2007, printed 2010
Inkjet print
2010.119
Namibia, 1904
Simon Norfolk
Namibia, 1904
printed 2000
Chromogenic print
2002.299
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
A Shia cemetery on the flanks of Kohe Asmai.
Simon Norfolk
A Shia cemetery on the flanks of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.43
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
Simon Norfolk
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
2010–2011, printed September 2011
Chromogenic print
2016.224.44
The entrance to a small, western-backed NGO.
Simon Norfolk
The entrance to a small, western-backed NGO.
2010–2011, printed September 2011
Chromogenic print
2016.224.41
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
Simon Norfolk
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
2010–2011, printed September 2011
Chromogenic print
2016.224.42
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
Simon Norfolk
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
2010–2011, printed September 2011
Chromogenic print
2016.224.12
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
Simon Norfolk
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
2010–2011, printed September 2011
Chromogenic print
2016.224.40
A view of Kabul city centre from Bala Burj.
Simon Norfolk
A view of Kabul city centre from Bala Burj.
2010–2011, printed September 2011
Chromogenic print
2016.224.49
The Sham-e-Paris (‘Parisian Evenings’) wedding hall in the Taymani neighbourhood. Common in Pakistan, these huge wedding complexes have sprung up all over Kabul with dining and entertainment halls to seat a thousand on each storey and even an on-site honeymoon hotel.
Simon Norfolk
The Sham-e-Paris (‘Parisian Evenings’) wedding hall in the Taymani neighbourhood. Common in Pakistan, these huge wedding complexes have sprung up all over Kabul with dining and entertainment halls to seat a thousand on each storey and even an on-site honeymoon hotel.
2010–2011, printed September 2011
Chromogenic print
2016.224.13