Looking Glass

CultureEnglish or American
Titles
  • Looking Glass
Datec. 1750–1820
Possible placeEngland
Possible placeUnited States
MediumMahogany veneer, unidentified secondary woods, gold leaf, and mirrored glass
Dimensions34 × 19 1/8 × 1 1/8 in. (86.4 × 48.6 × 2.9 cm)
Credit LineThe Bayou Bend Collection, gift of Mary Catherine Miller
Object numberB.2012.205
Current Location
Bayou Bend Collection and Gardens
Massachusetts Room
Exposé

Explore Further

Department
Bayou Bend
Object Type
DescriptionThis looking glass, distinguished by the carved and gilded phoenix positioned in its pierced crest, is evocative of the popular interpretation of the rococo idiom on both sides of the Atlantic Ocean. By the mid-18th century the mythological Egyptian bird, which according to tradition consumed itself by fire and then rose from its ashes, enjoyed a renewal that closely identified it with the modern aesthetic. If not a phoenix, as an alternative related frames were fashioned with asymmetrical foliage or Baroque shells. The design is one that was initially advanced in England; however, models intended for the export trade provided an inspiration and template for some of the earliest American-made looking glasses.
ProvenanceMary Catherine Miller, Houston; given to MFAH, 2012.
Inscriptions, Signatures and Marks
Faint, on the backside, at center: Beckett [?]

Cataloguing data may change with further research.

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scan from file photograph
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scan from file photograph
c. 1760–1775
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c. 1740–1770
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c. 1740–1770
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c. 1745–1770
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Commode
c. 1770
Walnut veneer; marquetry of tulipwood, elm, rosewood, and calamander; secondary woods: mahogany, red pine group, spruce, white oak group; and ormolu
96.1238
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c. 1800–1825
Maple, other unidentified woods, and mirrored glass
B.93.19